5 misunderstandings about hip-hop dance and breaking

Hip-hop dance and breaking, integral components of the broader hip-hop culture, have captivated audiences worldwide with their infectious energy, innovative movements, and cultural resonance. However, amidst their popularity, a multitude of misconceptions persist, often obscuring the true essence and significance of these dynamic dance forms. In this discourse, we delve into five prevalent misunderstandings surrounding hip-hop dance and breaking, shedding light on the complexities and nuances that define these art forms. From misconceptions about their relationship to music and choreography to perceptions of acrobatics overshadowing dance, we aim to unravel the truths behind these misconceptions and offer a more comprehensive understanding of hip-hop dance and breaking. Through critical examination and insightful analysis, we endeavor to foster greater appreciation and awareness of the rich cultural heritage and artistic expression embodied within hip-hop dance and breaking.

What is hip-hop dance? Hip-hop dance encompasses a diverse range of street dance styles originating from hip-hop culture, characterized by its improvisational nature, rhythmic movements, and urban influences. It includes various elements such as breaking, locking, popping, and krumping, often performed to hip-hop music. Hip-hop dance serves as a form of self-expression, storytelling, and community engagement, reflecting the cultural experiences and identities of its practitioners.
What is breakdancing? Breakdancing, also known as breaking, is a dynamic form of hip-hop dance that originated in the Bronx, New York City, during the 1970s. It is characterized by its acrobatic moves, footwork, freezes, and power moves performed to the rhythm of breakbeats and hip-hop music. Breaking is an integral element of hip-hop culture and serves as a platform for artistic expression, individual style, and competitive prowess within the global dance community.

Breaking and hip-hop are the same

The misconception that breaking and hip-hop are synonymous stems from a longstanding debate over the terminology within the hip-hop community. Many staunch supporters assert that “breaking is hip-hop” without providing the necessary context to elucidate this claim.

In its authentic sense, hip-hop embodies a cultural movement defined by the traditional four elements: breaking (commonly known as breakdance), writing (graffiti), MCing (rap), and DJing. From this vantage point, the assertion holds true. However, for individuals unfamiliar with the roots of hip-hop culture, inquiries about the disparity between breaking and hip-hop, particularly concerning hip-hop dance, can exacerbate confusion.

Hip-hop dance, akin to breakdance, was a term coined by outsiders attempting to label something they only partially comprehended. Its widespread usage has ingrained it even within the hip-hop community. This dance style is founded on the social dances originating from the 1970s and 1980s. Depending on geographical location, it may also be referred to as hip-hop freestyle, freestyle, hip-hop newstyle, or simply newstyle.

Breaking is acrobatics and hip-hop is dance

The notion that breaking is solely acrobatics while hip-hop is purely dance is a simplistic view that can portray you as knowledgeable to an uninformed audience, yet ignorant when engaging with those well-versed in the subject.

In essence, b-boys and b-girls often incorporate a significant amount of acrobatics into their routines, given that breaking (commonly referred to as breakdance) primarily unfolds on the floor. Conversely, hip-hop dancers tend to emphasize movements performed while standing. However, contemporary hip-hop dancers increasingly integrate floorwork into their repertoire, blurring the lines between the two styles, particularly evident in competitive settings.

As for the distinction between dancing and breaking, asserting that b-boys and b-girls are not engaged in dance can be deeply offensive to them. This misconception stems from the dynamic and unconventional nature of breaking, which may not conform to traditional perceptions of dance. However, breaking is indeed a form of dance, albeit one characterized by its distinctive and expressive movements. Therefore, dismissing it as mere acrobatics overlooks its artistic and cultural significance within the broader context of dance.

You can tell the difference by listening to the music

In the days of yore, distinguishing between various dance styles was as simple as tuning in to the accompanying music. Each dance style was intricately linked to specific musical genres, fostering unique vibes and vocabularies.

However, as time has progressed, both dance styles have undergone extensive evolution. Skilled dancers have developed the versatility to adapt their movements to a diverse array of musical genres, blurring the once-clear boundaries between styles. Moreover, many dancers have cultivated proficiency in multiple styles, seamlessly transitioning between them with fluidity and finesse. This evolution underscores the dynamic nature of dance as an art form, showcasing its capacity for innovation and versatility in response to changing cultural landscapes.

You can tell the difference by listening to the music

Hip-hop is all about choreography

Contrary to popular belief, hip-hop dance and breaking are not primarily centered around choreography. Instead, they are rooted in freestyle expression, where dancers improvise their movements in response to the music without adhering to predetermined routines. While choreographed pieces can indeed be a part of hip-hop and breaking, they do not define the essence of these dance forms.

The misconception that hip-hop is predominantly choreography-driven stems from the commercialization of the dance industry. Many mainstream dance studios capitalized on the popularity of hip-hop by offering choreography classes, where instructors, often from jazz dance backgrounds, devised structured routines set to hip-hop and R&B music. However, this approach resulted in the creation of a hybrid style more akin to street-jazz rather than authentic hip-hop.

It’s important to recognize the distinction between choreographed routines and the spontaneous, improvisational nature of true hip-hop and breaking. While choreography has its place within these dance forms, it should not overshadow or misrepresent the essence of freestyle expression that lies at their core.

B-boys and b-girls don’t listen to the music

The misconception that b-boys and b-girls don’t prioritize listening to the music is often intertwined with the erroneous belief that breaking is solely about showcasing acrobatic prowess. Just as spectators may be dazzled by the flashy acrobatics displayed by breakers, novice practitioners, especially those under the guidance of instructors who fail to emphasize the significance of music, may overly fixate on mastering difficult moves without fully appreciating the musicality inherent to the dance.

Summary

In conclusion, the journey through the misunderstandings surrounding hip-hop dance and breaking illuminates the intricate tapestry of these vibrant art forms. By debunking misconceptions about their relationship to music, choreography, and acrobatics, we have unveiled the true essence and cultural significance of hip-hop dance and breaking. Beyond mere physical movements, these dance forms serve as conduits for self-expression, cultural identity, and community cohesion. As we strive for greater understanding and appreciation, let us continue to celebrate the diversity, creativity, and resilience embedded within hip-hop dance and breaking, recognizing them as powerful vehicles for storytelling, empowerment, and social change. Through ongoing dialogue and engagement, may we honor the legacy of these dynamic art forms while embracing their evolution and innovation in the ever-changing landscape of contemporary dance.